Reflection on ‘WAKCHAKUNA / We Who Share Everything and Nothing’ at Nottingham Contemporary
Claudia Martínez Garay’s latest exhibition, inspired by Peru’s Inca and Moche cultures, has much to teach about art, sexuality, and language.
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Migration Museum: NHS Exhibition review
The Migration Museum’s ‘Heart of the Nation’ exhibition explores how migrants built Britain’s NHS, even in the face of systemic racism.
Sir Arthur Evans: Knossos, Myth & Reality
Review of the exhibition ‘Knossos: Myths & Reality’ at the Ashmolean (10 February -30 July …
From Cowley Road to the Classroom: The Power of Local History
As a fairly recent arrival to Oxford, if I had been asked what made the …
Remembering Ann Crotchley, a Victim of Oxford’s Unsafe Streets
Content warning: sexual assault, violence against women On the night of Thursday 6 December 1827, …
Review: ‘Between making and knowing something’ by Mariana Castillo Deball
This is a review of Mariana Castillo Deball’s 2020 exhibition at Modern Art Oxford. The …
The Whip: Revisiting Slavery and Capitalism through Shakespearean drama
The Royal Shakespeare Company’s latest production, The Whip, offers a thoughtful interpretation of the complex …
Capitalism and Slavery: The View to and from Oxford
A review of a lecture on 31 October 2019 by Professor Richard Drayton, Rhodes Professor …
Beyond the Body: A portrait of autopsy
An exhibition review by Amy Holguin, Uncomfortable Oxford Guides Manager The first thing that struck …
Seeing ‘Below the Spires’
Review of a photo exhibition organised by the charity Homeless Oxfordshire hosted by the Jam …
A Different Kind of Blue Plaque
The blue plaque project is one that has taken hold across the UK, first in …
